“The Mother Who Stayed”
Most books of short stories are collections of unrelated stories or “slices of life” according to Laura Furman, the long-time editor of the annual PEN/O.Henry Prize Short Stories. The good ones are concise, satisfying and self-contained. At the other end of the spectrum is the novel – a longer piece of literature whose chapters link together to form an involved story. Between the short story and the novel is the short story trilogy – three short stories linked together by a “set of characters whose lives are connected through family, location, or sheer coincidence.” The stories can stand alone – and many have in published journals – but collectively they result in a more revealing and thought-provoking piece of fiction. Read more 
The Pen/O.Henry Prize Stories
The art of the great short story is well presented in “The Pen/O.Henry Prize Stories” – a collection of twenty short stories chosen annually by a Series Editor (Laura Furman has held the position since 2003). The criteria? All stories had to have been written originally in English and published in an American or Canadian periodical. Widely regarded as one of the most prestigious awards for short fiction, the Pen/O.Henry Prize Stories offer readers some of the finest examples of short fiction written in any given year. Read more
Paddock Post 